Dr. Raymond Ferens is thrilled to move from his industrial practice to a picturesque village in the Devon countryside and with his wife Anne they set up home in the Dower House – a study for him, a kitchen for her. Lord and Lady Ridding live in the Manor House, old Dr. Brown is getting ready to leave his practice to Raymond, there’s the church, the post office, farms, and a children’s home that’s been run by Sister Monica for more than 30 years. A formidable warden she wears an old fashioned habit and seems to have a strange hold over the villagers.
And at first all seems idyllic. But. Set on a hill top on Exmoor, Milham in the Moor has cut itself off from neighbouring towns and villages; not trusting strangers or liking questions; so when Sister Monica’s body is found in the Mill-Race the villagers close in on themselves, agreeing only that she was a saint, she had been having dizzy spells and it was an accident. Chief Inspector Macdonald is called in from the Yard with his able deputy Detective Inspector Reeves.
Continue reading “Murder in the Mill-Race”
This has taken me so long to read that I can hardly remember a time before Vanity Fair, and while there were certainly some ups and downs, when I finished, it wasn’t with a feeling of relief but with huge satisfaction at having read a really brilliant book.
First published as a complete text in 1848, Thackeray tells the story of school friends Rebecca Sharp and Amelia Sedley, their families and friends in the first half of the 19th century with London society, the Napoleonic wars and colonisation in India forming the backdrop. The scheming manipulative Becky is a perfect foil to the humble simplicity of Emmy. As they both negotiate marriage, in laws and motherhood they also negotiate the slippery pole of social success and acceptability.
Continue reading “Vanity Fair”
was the number chosen and for me that means Honoré de Balzac’s Old Goriot or so I thought – because when I got to the book shelf it appeared that the copy I actually had was Eugénie Grandet! But I haven’t read anything by Balzac and know nothing about him so this, written a couple of years before Old Goriot, can easily take its place I think.
And it’s quite exciting, not the title I’ve been looking at for the last four years and a brand new author to explore. As usual a quick look on Wikipedia has made me feel that I’ve been living under a rock all my life and this first glimpse has revealed an abundance of future reading!
Continue reading “Classics Club Spin Revealed”
I only have a few books left to read on my classics club list and looking at them I’m not surprised I keep putting them off! But luckily there’s going to be a spin which is just the inspiration I need to get one of them read. The spin will be spun on October the 17th and whichever title falls on the number chosen must be read and reviewed by the 12th December.
Continue reading “Classics Club Spin #28”
I don’t know why it’s taken me so long to get around to reading Katherine Mansfield, this group of 15 short stories written between 1920 and 1922 were so enjoyable; easy to read and insightful. Some of the stories were just a few pages, others ran to chapters but I think what linked them was their thoughts on age.. How the young view the old and how the old view the young but also how at any time we might find ourselves out of step with our age, unsure what’s expected of us or how we’re supposed to behave.
Katherine Mansfield’s view of old age is really quite scary and sad! In Miss Brill, the elderly lady puts on her fur coat and goes to listen to the band play in the park. All is well as she watches and muses on the people around her noticing how odd the old people look ‘as if they’d just come from dark little rooms or even – even cupboards! But then she hears a young couple describing her – is it possible that she is one of the elderly, looking so strange? Seeing herself from a different perspective, the callousness of the couple is so cruel, the effect on Miss Brill is heartbreakingly sad and the loneliness of old age is very real as she hurries back to the familiarity of her room.
Continue reading “The Garden Party”
The postman skips across the lawn of a beautiful house in Milan waving his arms around and heralds the arrival of a visitor. The opening sepia tones become saturated with colour as the visitor, (Terence Stamp) moves in with the family and one by one becomes the object of their desires. In sexually liberating them he soothes their doubts and anxieties while exposing the angst, dissatisfaction and frustration that they feel within themselves and their lives and reveals the sexual tension and disquiet in the household.
Written and directed by Pier Paolo Pasolini in 1968, Theorem uses a combination of fake newsreel interviews, realist drama showing familial tensions and something more fantastical and mythic to show the transformation of the family. It’s spiritual and sensual, physical and metaphysical, serious and jokey as each member of the family (which includes their maid) experiences some sort of revelation or epiphany.
But then as suddenly as he arrived it’s time for him to leave – can the family make sense of their lives without him or will they fall apart? Each of the characters’ reactions is explored individually and each is surprising and spectacular in its own way.
Continue reading “A Film For September: Theorem”