A Film For March: I Am Cuba

Made in 1964 this collaboration between the Russian director Mikhail Kalatozov, the writer Enrique Pineda Barnet and the poet Yevgeny Yevtushenko, I Am Cuba is set during the last days of Batista’s government and the Cuban Revolution in 1959. Told through four allegorical vignettes, this is clearly propaganda for Castro but with Raquel Revuetta as the voice of Cuba there is a dreamlike almost hallucinogenic feel to the film as the camera swoops and dives from buildings to sugar fields that makes it as absorbing as it is beautiful.

Opening with tranquil images of fertile land and palm trees we move to the city for the first story about Maria (Luz Maria Collazo), a young women making ends meet by working as a prostitute in one of the many bars. The American businessman who buys her company asks to see where she lives and after the glamour of the casino he finds himself lost and disoriented among the slums of Havana as he tries to make his way back to his hotel.

from Life Magazine 1954

My Name is Lucy Barton

On a writing course Lucy Barton is told that ‘we all have only one story to tell‘. Now a successful writer she remembers a time in the mid 1980’s when she was first living in New York with her husband and two young daughters and a trip to hospital for a routine operation lasted for nine weeks.

One day she realises that her mother, who she hasn’t seen for years, is sitting by her hospital bed. She stays for five days and through their conversations we get Lucy’s story. Memories of poverty, humiliation and loneliness are told in a solid, unfussy style. She speaks directly to us, as her memories and her mothers anecdotes interrupt and overlap each other and she wonders about the vagaries of her memory as she thinks about her life.

‘We were oddities, our family, even in that tiny rural town of Amgash, Illinois.’