Shrouds of mist rise over a stark landscape as two horseman ride towards us – it can only be Macbeth, and it is, at least the basic plot. But in this 1957 film, shot in black and white, Akira Kurosawa has moved the action from 11th century Scotland to feudal Japan.
Returning to their lords castle through ghostly Spiders Web forest, samurai warriors Washizu (Toshirô Mifune) and Miki (Minoru Chiaki) encounter a spirit who predicts their futures. Firstly Washizu will become Lord of the Northern Garrison, secondly he will become Lord of Spiders Web Castle and thirdly Miki’s son will succeed him. When the first part of the spirits prophecy comes true, Washizu’s scheming wife, Asaji (Isuzu Yamada), urges him to speed up the rest of the prophecy by murdering his lord and usurping his place. Fed by his wife’s thirst for status, his own ambition and sense of insecurity see him transformed from a respected warrior to a power mad dictator, willing to do anything to retain the throne.
Continue reading “A Film For November: Throne of Blood” →
This is the story of 4 years in the life of Fernanda ‘Nanda’ Grey. It opens in 1908 when Nanda is 9 years old and being taken by her father to her new school. Lippington is a convent school of the order of The Five Wounds and home to girls of old European, wealthy Catholic families. Nanda is singled out from the beginning for being middle class and the daughter of a ‘convert’. The school is on the outskirts of London but could be anywhere, ‘catholicism isn’t a religion, it’s a nationality’ says one of the older girls and a Lippington girl is a Child of the Five Wounds for the rest of her life.
The cold, clear atmosphere is described through Nanda’s eyes. The school commands absolute authority, every child is under constant observation, not allowed to walk about in two’s or form close friendships.
‘Some of that severity which to the world seems harshness is bound up in the school rule which you are privileged to follow . . . We work today to turn out, not accomplished young women, nor agreeable wives, but soldiers of Christ, accustomed to hardship and ridicule and ingratitude.’
Continue reading “Frost in May” →
I thought I would try and have a more organised ‘header’ and learn how to make drop down boxes. This has obviously taken me hours and hours of frustration and then resulted in my losing the opening page of my film challenge altogether. Somehow by accident I found a version hidden away but it wants me to post it all over again before I’m allowed to include it in the revamped header. So please accept my apologies this is old news. . .
After taking up Roof Beam Readers challenge to read 12 books in 12 months from my TBR pile, I thought why stop at books? I’ve got all sorts of things I’m always wanting to do and never get around too. A whole new notebook full of lists has been made and one of them is 12 films I really should watch. I asked a couple of movie buffs to help me put together a list and this is it, my To Be Watched challenge.
Continue reading “Just Watching A Film: 2018” →
Elisabeth von Ephrussi was born into a Jewish banking dynasty in 1899, her scholarly father was Viktor von Ephrussi and her beautiful socialite mother the Baroness Emmy Schey von Koromla. Raised in the Palais Ephrussi on the Ringstrasse in Vienna, she was at the centre of a city that had become a great collection of nationalities and ethnic groups. As her grandson Edmund de Waal says in his introduction ‘her memories were of a polyglot upbringing in a polyglot city.’ She attended the University, took up poetry and writing and had a significant correspondence with the poet Rainer Maria Rilke. In 1923 she married a Dutchman Henrik de Waal and after living in Paris and Switzerland settled in England.
In 1938 after the German occupation, Elisabeth returned to Vienna and in 1939 managed to get her father to safety in England. At the end of the war she returned again to find out about the rest of her family, and fought for a decade to get justice for the wrongs that had been committed, battling the hostile authorities. This sketchy family history is important because this is such a deeply personal novel. Not published during her lifetime, it was written sometime in the 1950’s and is set during 1954 and ’55 in Allied-occupied Vienna when the city was still divided into occupation zones. This is a novel about finding a home, but very specifically about finding a home in Vienna after the Anschluss. Told through the stories of 3 exiles, each seems to encapsulate something of Elisabeth’s own experience and the adversity she found; the drama that unfolds is as thrilling as anything shown at the Vienna State Opera.
Continue reading “The Exiles Return” →